A Little Stuck by Oliver Jeffers

A Little Stuck by Oliver Jeffers

$12.99 Sale • Save
Format Board book
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Ages: 3–5 years

A specially adapted board book edition of Oliver Jeffers’ laugh-out-loud classic, Stuck.

Floyd gets his kite stuck up a tree. He throws up his shoe to shift it, but that gets stuck too. So he throws up his other shoe and that gets stuck, along with… a ladder, a pot of paint, the kitchen sink, an orang-utan and a whale, amongst other things!

Will Floyd ever get his kite back?

A hilarious book with a wonderful surprise ending.

Format: Board Book

Oliver Jeffers from his much-loved debut, How to Catch a Star he has gone on to create a collection of award-winning and bestselling picture books, which have been translated all over the globe, including the #1 New York Times bestseller and TIME Best Book of the Year Here We Are, as well as the companion What We’ll Build. He is also the illustrator of the smash hits The Day the Crayons Quit and The Day the Crayons Came Home, both written by Drew Daywalt.

His fine art is world-renowned and his dip-art exhibitions are a much sought-after event. Oliver is from Belfast, Northern Ireland, and now he, his wife and young children split their time between Belfast and Brooklyn, NY.

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About the Artist

Oliver Jeffers

Oliver Jeffers makes art and tells stories—fine art for (mostly) adults, and picture books for (mostly) children. As a visual artist and author working in painting, bookmaking, illustration, collage, performance, and sculpture, curiosity and humor are underlying themes throughout Oliver's practice as an artist and storyteller.

Jeffers' original artwork has been exhibited at museums and institutions across the globe. He has had multiple solo shows in galleries in London and New York, and is represented by the world-renowned gallery, Praise Shadows Art Gallery, in Boston, MA. Varying between figurative painting, naive folk-like line work, which is often tied together with his distinctive handwriting, Jeffers' work is instantly recognisable. Themes for his art-making include perspective shifts, memory and mortality, the power of community and story, and the imaginary lines across the land and in the sky.

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